{"id":10959,"date":"2025-10-30T10:24:34","date_gmt":"2025-10-30T16:24:34","guid":{"rendered":"https:\/\/www.gridmag.com.mx\/?p=10959"},"modified":"2025-10-30T10:24:35","modified_gmt":"2025-10-30T16:24:35","slug":"gianluca-lattuada-en-la-real-fabrica-de-tapices","status":"publish","type":"post","link":"https:\/\/www.gridmag.com.mx\/index.php\/2025\/10\/30\/gianluca-lattuada-en-la-real-fabrica-de-tapices\/","title":{"rendered":"Gianluca Lattuada en la Real F\u00e1brica de Tapices"},"content":{"rendered":"\n\n\n

El pasado 10 de septiembre de 2025<\/strong>, la Real F\u00e1brica de Tapices de Madrid abri\u00f3 sus puertas a la exposici\u00f3n Lo que fuimos y lo que seremos<\/em>, del artista italiano Gianluca Lattuada<\/strong>, en colaboraci\u00f3n con el Istituto Italiano di Cultura de Madrid<\/strong> y el ComItEs Madrid<\/strong>.<\/p>\n\n\n\n

El acto inaugural reuni\u00f3 a representantes del mundo diplom\u00e1tico, institucional y cultural. Entre los asistentes destac\u00f3 la presencia de la consejera de Cultura de la Embajada de Italia, D\u00f1a. Teodora Danisi<\/strong>, as\u00ed como del c\u00f3nsul Giacomo Grandesso<\/strong>. El presidente del ComItEs, Andrea Lazzari<\/strong>, ofreci\u00f3 un discurso junto a Alejandro Klecker de Elizalde<\/strong>, director de la Real F\u00e1brica de Tapices, marcando oficialmente la apertura de la muestra.<\/p>\n\n\n\n

Con la asistencia de embajadas de pa\u00edses como Alemania, Portugal, Hungr\u00eda, Marruecos y Paraguay, adem\u00e1s de representantes de la Comunidad y el Ayuntamiento de Madrid, la exposici\u00f3n dej\u00f3 clara su vocaci\u00f3n internacional y culturalmente trascendente<\/strong>.<\/p>\n\n\n\n

\"\"<\/figure>\n\n\n\n

Gianluca Lattuada: un di\u00e1logo entre pasado y presente<\/h3>\n\n\n\n

La exposici\u00f3n present\u00f3 23 obras<\/strong> que abarcaron desde composiciones textiles realizadas con fragmentos de alfombras hist\u00f3ricas, hasta pinturas sobre lienzo, esculturas en resina y papeles preparatorios de la propia F\u00e1brica.<\/p>\n\n\n\n

Cada pieza teji\u00f3 un doble di\u00e1logo<\/strong>:<\/p>\n\n\n\n

    \n
  • Por un lado, entre el fragmento hist\u00f3rico y su reconfiguraci\u00f3n en clave contempor\u00e1nea.
    <\/li>\n\n\n\n
  • Por otro, entre las obras de Lattuada y la colecci\u00f3n permanente de la Real F\u00e1brica, estableciendo correspondencias crom\u00e1ticas, formales y conceptuales.
    <\/li>\n<\/ul>\n\n\n\n

    El resultado fue un recorrido donde lo hist\u00f3rico y lo actual convivieron en equilibrio, recordando que el pasado no es est\u00e1tico, sino una memoria activa que sigue transformando el presente<\/strong>.<\/p>\n\n\n\n

    \"\"<\/figure>\n\n\n\n

    Lo que persiste aunque ya no exista: la obra clave de Gianluca Lattuada<\/h3>\n\n\n\n

    Entre las piezas m\u00e1s significativas destac\u00f3 Lo que persiste aunque ya no exista<\/em> (2025), en la que Lattuada incorpor\u00f3 fragmentos de alfombras hist\u00f3ricas procedentes del Congreso de los Diputados<\/strong> y del edificio Metr\u00f3polis<\/strong> de la Gran V\u00eda madrile\u00f1a.<\/p>\n\n\n\n

    La composici\u00f3n dialog\u00f3 directamente con el cart\u00f3n preparatorio Pescadores sacando una red del agua<\/em> (1783\u20131785) de Mariano Salvador Maella y Zacar\u00edas Gonz\u00e1lez Vel\u00e1zquez, parte de la colecci\u00f3n de la Real F\u00e1brica. Mientras la obra hist\u00f3rica representaba escenas costeras, Lattuada reinterpret\u00f3 esa memoria a trav\u00e9s de la abstracci\u00f3n, evocando la persistencia del agua como met\u00e1fora de transformaci\u00f3n y permanencia<\/strong>.<\/p>\n\n\n\n

    Sostenibilidad y econom\u00eda circular en el arte<\/h3>\n\n\n\n

    El proyecto no solo explor\u00f3 la memoria hist\u00f3rica, sino que tambi\u00e9n subray\u00f3 un compromiso con la sostenibilidad<\/strong>. Lattuada reutiliz\u00f3 fragmentos de alfombras, papeles y lanas de la F\u00e1brica para dar vida a nuevas obras, incluyendo la serie escult\u00f3rica Pensamientos atrapados<\/em>.<\/p>\n\n\n\n

    En palabras del propio artista:<\/p>\n\n\n\n

    \u201cEl residuo no debe entenderse como un desecho, sino como un archivo vivo: fragmentos de memoria que revelan que el pasado no se extingue, sino que sigue habitando el presente\u201d.<\/p>\n\n\n\n

    Este enfoque coincidi\u00f3 con la visi\u00f3n de la Real F\u00e1brica de Tapices, instituci\u00f3n que mantiene viva la tradici\u00f3n artesanal desde 1721 y que hoy apuesta por pr\u00e1cticas responsables que aseguran su continuidad.<\/p>\n\n\n\n

    \"Gianluca<\/figure>\n\n\n\n

    Gianluca Lattuada: memoria, abstracci\u00f3n y transformaci\u00f3n<\/h3>\n\n\n\n

    Nacido en Mil\u00e1n en 1988 y residente en Madrid, Gianluca Lattuada<\/strong> ha expuesto en Italia, Espa\u00f1a, Reino Unido, Estados Unidos y M\u00e9xico. Su investigaci\u00f3n gira en torno a la memoria, la abstracci\u00f3n y la tensi\u00f3n entre permanencia y metamorfosis.<\/p>\n\n\n\n

    Entre sus proyectos recientes destacan una exposici\u00f3n en el Gran Museo del Mundo Maya<\/strong> en Yucat\u00e1n (2023), su inclusi\u00f3n en la colecci\u00f3n del Museo de Arte Contempor\u00e1neo Paolo Pini \u2013 MAPP<\/strong> en Mil\u00e1n (2024) y la residencia art\u00edstica en la propia Real F\u00e1brica de Tapices, culminada con esta muestra en 2025.<\/p>\n\n\n\n

    \"Gianluca<\/figure>\n\n\n\n

    Tradici\u00f3n e innovaci\u00f3n en la Real F\u00e1brica de Tapices<\/h3>\n\n\n\n

    La exposici\u00f3n se inserta en una larga tradici\u00f3n de la Real F\u00e1brica de Tapices, que desde el siglo XVIII ha colaborado con grandes artistas, entre ellos Francisco de Goya<\/strong>, Francesco Sabatini y Andrea Procaccini. Hoy, con proyectos como el de Lattuada, reafirma su capacidad de dialogar con la contemporaneidad sin perder su ra\u00edz hist\u00f3rica<\/strong>.Lo que fuimos y lo que seremos<\/em> demostr\u00f3 que los oficios heredados de siglos no son solo vestigios del pasado, sino semillas para nuevas formas de creaci\u00f3n.<\/p>\n","protected":false},"excerpt":{"rendered":"

    El pasado 10 de septiembre de 2025, la Real F\u00e1brica de Tapices de Madrid abri\u00f3 sus puertas a la exposici\u00f3n Lo que fuimos y lo que seremos, del artista italiano Gianluca Lattuada, en colaboraci\u00f3n con el Istituto Italiano di Cultura de Madrid y el ComItEs Madrid. El acto inaugural reuni\u00f3 a representantes del mundo diplom\u00e1tico, institucional y cultural. Entre los asistentes destac\u00f3 la presencia de la consejera de Cultura de la Embajada de Italia, D\u00f1a. Teodora Danisi, as\u00ed como del […]<\/p>\n","protected":false},"author":1,"featured_media":10960,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[53],"tags":[893,344,891,144,889,886,890,887,892,888,528],"class_list":["post-10959","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-arte","tag-abstraccion","tag-arte-contemporaneo","tag-arte-textil","tag-cultura","tag-exposicion","tag-gianluca-lattuada","tag-italia","tag-madrid","tag-memoria","tag-real-fabrica-de-tapices","tag-sostenibilidad"],"yoast_head":"\nGianluca Lattuada en la Real F\u00e1brica de Tapices | Grid Magazine<\/title>\n<meta name=\"description\" content=\"Gianluca Lattuada exhibe en Madrid Lo que fuimos y lo que seremos, una reflexi\u00f3n sobre memoria y transformaci\u00f3n.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" 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