{"id":11352,"date":"2026-09-20T13:03:56","date_gmt":"2026-09-20T19:03:56","guid":{"rendered":"https:\/\/www.gridmag.com.mx\/?p=11352"},"modified":"2026-09-20T13:11:52","modified_gmt":"2026-09-20T19:11:52","slug":"el-otro-diseno-cinco-miradas-para-transformar-desde-lo-local","status":"publish","type":"post","link":"https:\/\/www.gridmag.com.mx\/index.php\/2026\/09\/20\/el-otro-diseno-cinco-miradas-para-transformar-desde-lo-local\/","title":{"rendered":"El otro dise\u00f1o: cinco miradas para transformar desde lo local"},"content":{"rendered":"\n
Fotograf\u00eda a\u00e9rea, residuos textiles, procesos geol\u00f3gicos, reciclaje e inclusi\u00f3n social convergen en el primer acto de What Design Can Do M\u00e9xico GNP 2026, que celebrar\u00e1 su s\u00e9ptima edici\u00f3n el pr\u00f3ximo 1 de octubre en el CENART. <\/h2>\n\n\n\n
\u00bfQu\u00e9 sucede cuando el dise\u00f1o comienza por observar aquello que ya existe? Los materiales que desechamos, los conocimientos de una comunidad, el territorio que habitamos o las historias que normalmente permanecen fuera de nuestra mirada pueden convertirse en el punto de partida para imaginar nuevas posibilidades.<\/p>\n\n\n\n
Bajo esta premisa, What Design Can Do M\u00e9xico GNP 2026<\/strong> abrir\u00e1 su s\u00e9ptima edici\u00f3n con el Acto I: El otro dise\u00f1o. Imaginar y transformar desde lo local<\/em>, una conversaci\u00f3n que re\u00fane cinco perspectivas en torno al dise\u00f1o como herramienta para observar, preservar y transformar.<\/p>\n\n\n\n
Dise\u00f1ar desde lo que ya existe <\/h2>\n\n\n\n
Yayra Agbofah<\/strong><\/h2>\n\n\n\n
Desde Ghana, Yayra Agbofah<\/strong>, fundador de The Revival Earth Organization<\/em>, presentar\u00e1 su trabajo en Kantamanto, uno de los mercados de ropa de segunda mano m\u00e1s grandes del mundo. A trav\u00e9s del upcycling<\/em>, la educaci\u00f3n y la econom\u00eda circular, su pr\u00e1ctica propone mirar el residuo textil no como el final de un objeto, sino como materia capaz de incorporarse a nuevos sistemas creativos y productivos. <\/p>\n\n\n\n<\/figure>\n\n\n\n
gt2P<\/strong><\/h2>\n\n\n\n
Desde Chile, el estudio gt2P<\/strong>, integrado por Guillermo Parada, Tamara P\u00e9rez, Sebasti\u00e1n Rozas y V\u00edctor Imperiale, llevar\u00e1 la conversaci\u00f3n hacia la intersecci\u00f3n entre artesan\u00eda, tecnolog\u00eda y cultura material. Su pr\u00e1ctica de paracrafting<\/em> explora procesos en los que el conocimiento artesanal dialoga con nuevas herramientas y fen\u00f3menos naturales, como sucede en Remolten<\/em>, proyecto desarrollado a partir de lava volc\u00e1nica de los Andes.<\/p>\n\n\n\n<\/figure>\n\n\n\n
Santiago Arau<\/strong><\/strong><\/h2>\n\n\n\n
La escala cambia con la mirada del fot\u00f3grafo mexicano Santiago Arau<\/strong>, cuyo trabajo a\u00e9reo permite observar la Ciudad de M\u00e9xico desde una perspectiva poco habitual. Desde las alturas, sus fotograf\u00edas revelan contrastes territoriales, din\u00e1micas urbanas y paisajes sociales que muchas veces resultan dif\u00edciles de reconocer desde el nivel de calle.<\/p>\n\n\n\n<\/figure>\n\n\n\n
Dise\u00f1o, residuos y comunidad<\/strong><\/h2>\n\n\n\n
Ale Valdez<\/strong><\/h2>\n\n\n\n
La transformaci\u00f3n de los sistemas de residuos tambi\u00e9n estar\u00e1 presente con Ale Valdez<\/strong>, cofundadora de Ecolana<\/strong>, plataforma que conecta a ciudadan\u00eda, empresas y actores de la cadena de reciclaje y que actualmente re\u00fane m\u00e1s de seis mil puntos para reciclar en M\u00e9xico. <\/p>\n\n\n\n<\/figure>\n\n\n\n
Cristina P\u00e9rez<\/strong><\/h2>\n\n\n\n
Por su parte, Cristina P\u00e9rez<\/strong>, gestora cultural de Mi Valedor<\/strong>, abordar\u00e1 el potencial del dise\u00f1o como herramienta de inclusi\u00f3n y transformaci\u00f3n social a partir del trabajo desarrollado junto a personas en situaci\u00f3n de calle o en grave riesgo de calle en la Ciudad de M\u00e9xico. <\/p>\n\n\n\n<\/figure>\n\n\n\n
Aunque parten de territorios, disciplinas y problem\u00e1ticas diferentes, las cinco perspectivas encuentran un punto en com\u00fan: la posibilidad de transformar no necesariamente comienza creando algo nuevo, sino aprendiendo a mirar de otra manera aquello que ya tenemos.<\/strong><\/p>\n\n\n\n
What Design Can Do M\u00e9xico GNP 2026<\/h3>\n\n\n\n
Fecha:<\/strong> 1 de octubre de 2026 Horario:<\/strong> 10:00 a 19:00 h Sede:<\/strong> Auditorio Blas Galindo, Centro Nacional de las Artes (CENART), Ciudad de M\u00e9xico Acto I:<\/strong> El otro dise\u00f1o. Imaginar y transformar desde lo local<\/em><\/p>\n","protected":false},"excerpt":{"rendered":"
Fotograf\u00eda a\u00e9rea, residuos textiles, procesos geol\u00f3gicos, reciclaje e inclusi\u00f3n social convergen en el primer acto de What Design Can Do M\u00e9xico GNP 2026, que celebrar\u00e1 su s\u00e9ptima edici\u00f3n el pr\u00f3ximo 1 de octubre en el CENART. \u00bfQu\u00e9 sucede cuando el dise\u00f1o comienza por observar aquello que ya existe? Los materiales que desechamos, los conocimientos de una comunidad, el territorio que habitamos o las historias que normalmente permanecen fuera de nuestra mirada pueden convertirse en el punto de partida para imaginar […]<\/p>\n","protected":false},"author":1,"featured_media":11354,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[55,52,1],"tags":[],"class_list":["post-11352","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-creativos","category-diseno","category-sin-categoria"],"yoast_head":"\n
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