{"id":11373,"date":"2026-09-23T15:02:39","date_gmt":"2026-09-23T21:02:39","guid":{"rendered":"https:\/\/www.gridmag.com.mx\/?p=11373"},"modified":"2026-09-23T15:02:44","modified_gmt":"2026-09-23T21:02:44","slug":"akanksha-deo-sharma-disenadora-ikea","status":"publish","type":"post","link":"https:\/\/www.gridmag.com.mx\/index.php\/2026\/09\/23\/akanksha-deo-sharma-disenadora-ikea\/","title":{"rendered":"Akanksha Deo Sharma: dise\u00f1o, artesan\u00eda e innovaci\u00f3n en IKEA"},"content":{"rendered":"\n

Akanksha Deo Sharma: la dise\u00f1adora de IKEA que transforma l\u00edmites en nuevas formas de crear<\/h2>\n\n\n\n
\"\"<\/figure>\n\n\n\n

Akanksha Deo Sharma: dise\u00f1ar desde los recursos disponibles<\/h2>\n\n\n\n

\u00bfQu\u00e9 sucede cuando las limitaciones dejan de entenderse como obst\u00e1culos y se convierten en herramientas para dise\u00f1ar? Para Akanksha Deo Sharma<\/strong>, la respuesta se encuentra en mirar hacia los conocimientos, materiales y formas de hacer que durante generaciones han surgido de contextos donde aprovechar los recursos disponibles es una necesidad.<\/p>\n\n\n\n

La dise\u00f1adora y artista multidisciplinaria india trabaja en IKEA<\/a> explorando las posibilidades que aparecen en la intersecci\u00f3n entre artesan\u00eda, tecnolog\u00eda y sostenibilidad<\/strong>. Su pr\u00e1ctica propone repensar la innovaci\u00f3n no necesariamente desde lo nuevo, sino desde aquello que ya existe: los materiales, los oficios y el conocimiento acumulado por las comunidades.<\/p>\n\n\n\n

Su trabajo parte tambi\u00e9n de una pregunta cada vez m\u00e1s presente dentro del dise\u00f1o contempor\u00e1neo: \u00bfqui\u00e9nes producen el conocimiento que despu\u00e9s utilizamos para dise\u00f1ar?<\/strong><\/p>\n\n\n\n

\"\"<\/figure>\n\n\n\n

Del Sur Global al dise\u00f1o contempor\u00e1neo<\/h2>\n\n\n\n

Para Sharma, mirar hacia el Sur Global<\/strong> implica reconocer que muchas de las soluciones que hoy entendemos como innovaci\u00f3n tienen antecedentes en generaciones de conocimiento artesanal, inteligencia material y pr\u00e1cticas comunitarias.<\/p>\n\n\n\n

Desde esta perspectiva, la escasez tambi\u00e9n puede convertirse en un detonador creativo. Como se\u00f1ala la dise\u00f1adora, \u201cla limitaci\u00f3n siempre ha sido la herramienta de dise\u00f1o m\u00e1s subestimada del Sur Global\u201d<\/strong>.<\/p>\n\n\n\n

\"\"<\/figure>\n\n\n\n

La idea cuestiona una visi\u00f3n del dise\u00f1o centrada \u00fanicamente en grandes recursos, nuevas tecnolog\u00edas o procesos industriales. En su lugar, propone observar c\u00f3mo diferentes territorios han aprendido a adaptar, reutilizar y transformar los materiales disponibles<\/strong>.<\/p>\n\n\n\n

Akanksha Deo Sharma y su trabajo con IKEA<\/h2>\n\n\n\n

Dentro de IKEA, Sharma ha trasladado estas inquietudes a objetos capaces de convivir con la vida cotidiana, combinando investigaci\u00f3n material con la escala global de una de las compa\u00f1\u00edas de dise\u00f1o m\u00e1s reconocidas del mundo.<\/p>\n\n\n\n

\"\"<\/figure>\n\n\n\n

Recientemente particip\u00f3 en KONSTRUNDA<\/strong>, una colecci\u00f3n de IKEA que re\u00fane a siete artistas y dise\u00f1adores para explorar cu\u00e1l puede ser el lugar del arte dentro del hogar contempor\u00e1neo.<\/p>\n\n\n\n

La colecci\u00f3n est\u00e1 integrada por 22 objetos entre piezas decorativas, textiles y mobiliario<\/strong>, llevando distintas expresiones art\u00edsticas a objetos pensados para formar parte de espacios dom\u00e9sticos.<\/p>\n\n\n\n

Su participaci\u00f3n contin\u00faa una trayectoria que ha llevado el trabajo de Sharma a espacios como el Design Museum de Londres<\/strong> y a publicaciones internacionales como Fast Company, Wallpaper, Dezeen, Vogue<\/em> y Elle<\/em>. Tambi\u00e9n fue reconocida dentro de Forbes India 30 Under 30<\/strong>.<\/p>\n\n\n\n

Artesan\u00eda, tecnolog\u00eda y sostenibilidad<\/h2>\n\n\n\n
\"\"<\/figure>\n\n\n\n

Una de las claves para comprender el trabajo de Akanksha Deo Sharma est\u00e1 en que tradici\u00f3n e innovaci\u00f3n no aparecen como conceptos opuestos<\/strong>.<\/p>\n\n\n\n

La artesan\u00eda puede contener conocimiento sobre los materiales; la tecnolog\u00eda puede abrir nuevas posibilidades para utilizarlo; y el dise\u00f1o puede funcionar como un punto de encuentro entre ambos.<\/p>\n\n\n\n

Esta manera de trabajar coincide con una conversaci\u00f3n m\u00e1s amplia dentro de IKEA alrededor del aprovechamiento responsable de los recursos y el llamado dise\u00f1o democr\u00e1tico<\/strong>: la b\u00fasqueda de soluciones que puedan llegar a un mayor n\u00famero de personas sin separar forma, funci\u00f3n, calidad, sostenibilidad y accesibilidad.<\/p>\n\n\n\n

\"\"<\/figure>\n\n\n\n

Pero la pr\u00e1ctica de Sharma introduce otra capa a esta conversaci\u00f3n: reconocer que las respuestas no necesariamente tienen que surgir de un \u00fanico centro de producci\u00f3n de conocimiento. Dise\u00f1ar tambi\u00e9n puede significar escuchar lo que otros territorios llevan generaciones sabiendo.<\/strong><\/p>\n\n\n\n

Akanksha Deo Sharma llega a M\u00e9xico<\/h2>\n\n\n\n

Esta conversaci\u00f3n llegar\u00e1 pr\u00f3ximamente a Ciudad de M\u00e9xico. Akanksha Deo Sharma participar\u00e1 en What Design Can Do M\u00e9xico GNP 2026<\/strong>, donde abordar\u00e1 el lugar de los conocimientos del Sur Global dentro de la creaci\u00f3n contempor\u00e1nea y la importancia de reconocer la autor\u00eda de quienes los generan.<\/p>\n\n\n\n

\"\"<\/figure>\n\n\n\n

La dise\u00f1adora formar\u00e1 parte del tercer acto, \u201cDise\u00f1ar entre culturas, territorios y fronteras\u201d<\/strong>, dedicado a pr\u00e1cticas atravesadas por la migraci\u00f3n, el intercambio cultural y las identidades h\u00edbridas.<\/p>\n\n\n\n

What Design Can Do M\u00e9xico GNP 2026<\/a><\/strong> se celebrar\u00e1 el 1 de octubre, a partir de las 10:00 a.m., en el Auditorio Blas Galindo del Centro Nacional de las Artes (CENART), en Ciudad de M\u00e9xico<\/strong>.<\/p>\n\n\n\n

<\/p>\n","protected":false},"excerpt":{"rendered":"

Akanksha Deo Sharma: la dise\u00f1adora de IKEA que transforma l\u00edmites en nuevas formas de crear Akanksha Deo Sharma: dise\u00f1ar desde los recursos disponibles \u00bfQu\u00e9 sucede cuando las limitaciones dejan de entenderse como obst\u00e1culos y se convierten en herramientas para dise\u00f1ar? Para Akanksha Deo Sharma, la respuesta se encuentra en mirar hacia los conocimientos, materiales y formas de hacer que durante generaciones han surgido de contextos donde aprovechar los recursos disponibles es una necesidad. La dise\u00f1adora y artista multidisciplinaria india trabaja […]<\/p>\n","protected":false},"author":1,"featured_media":11380,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[55,52,51],"tags":[],"class_list":["post-11373","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-creativos","category-diseno","category-interiorismo"],"yoast_head":"\nAkanksha Deo Sharma: dise\u00f1o, artesan\u00eda e innovaci\u00f3n en IKEA | Grid Magazine Akanksha Deo Sharma: dise\u00f1o, artesan\u00eda e innovaci\u00f3n en IKEA<\/title>\n<meta name=\"description\" content=\"Conoce el trabajo de Akanksha Deo Sharma, dise\u00f1adora de IKEA que combina artesan\u00eda, tecnolog\u00eda y sostenibilidad desde una mirada del Sur Global.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" 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