{"id":2041,"date":"2022-10-07T16:53:54","date_gmt":"2022-10-07T16:53:54","guid":{"rendered":"https:\/\/www.gridmag.com.mx\/?p=2041"},"modified":"2024-02-27T21:36:36","modified_gmt":"2024-02-28T03:36:36","slug":"anthracite-ceramica-experimental","status":"publish","type":"post","link":"https:\/\/www.gridmag.com.mx\/index.php\/2022\/10\/07\/anthracite-ceramica-experimental\/","title":{"rendered":"Anthracite | Cer\u00e1mica experimental en Aguascalientes"},"content":{"rendered":"\n\n\n

El proyecto es Anthracite<\/a> y la cer\u00e1mica es el medio para crear objetos que nacen como exploraciones personales a trav\u00e9s de diferentes t\u00e9cnicas y una forma de hacer dise\u00f1o alejada de la producci\u00f3n en masa. <\/p>\n\n\n\n

Gracias a unas clases de cer\u00e1mica<\/a> dentro de su formaci\u00f3n universitaria, Laura Mayagoitia, una joven dise\u00f1adora industrial, comenz\u00f3 a experimentar con este material y junto a su hermana  Paula, empezaron con algunas piezas utilitarias en el estudio de su casa, probando colores, formas y acabados.<\/p>\n\n\n\n

\"\"<\/figure>\n\n\n\n
<\/div>\n\n\n\n

“La cer\u00e1mica<\/a> es un material amigable para empezar a experimentar y expresarte como dise\u00f1ador y creo que el reflejar el valor y significado que le doy a mis piezas ayuda a que muchas personas conecten con mi trabajo\u201d, explica Laura.<\/p>\n\n\n\n

El lenguaje evolutivo de la cer\u00e1mica: Un di\u00e1logo con Laura Mayagoitia<\/h2>\n\n\n\n

Con los a\u00f1os, las hermanas Mayagoitia descubrieron un lenguaje propio en la cer\u00e1mica<\/a> y aprovecharon la nobleza del material. El proyecto ha evolucionado y tomado el cambio como un valor dentro de sus piezas, que siempre evolucionan y encuentran nuevos caminos. <\/p>\n\n\n\n

Laura nos abri\u00f3 las puertas de su taller y esta es parte de la conversaci\u00f3n que queremos compartir contigo.<\/p>\n\n\n\n

\u00bfQu\u00e9 es la cer\u00e1mica experimental?<\/em><\/h3>\n\n\n\n

Adem\u00e1s de la parte m\u00e1s art\u00edstica y personal de la cer\u00e1mica, me gusta combinar t\u00e9cnicas de producci\u00f3n y probar con distintos componentes; me gusta que aunque la estudies, practiques y formules, es imprevisible. Al experimentar borras un poco las expectativas, se elimina la presi\u00f3n de la perfecci\u00f3n y la imposibilidad incita a explorar rutas de creaci\u00f3n desconocidas. Claro que la cer\u00e1mica es metodol\u00f3gica pero justo, el no seguir el proceso de dise\u00f1o<\/a> al pie de la letra y abandonar un poco la certeza, da pauta para generar nuevas ideas. <\/p>\n\n\n\n

\"Anthracite<\/figure>\n\n\n\n

\u00bfQu\u00e9 hace a las piezas de Anthracite tan especiales y \u00fanicas?<\/em><\/h3>\n\n\n\n

Para m\u00ed los objetos son contenedores de cultura, nos hablan del contexto en el que son creados; me gusta el cruce entre la funci\u00f3n y la no-funci\u00f3n o la ambig\u00fcedad de la funci\u00f3n, el ver m\u00e1s all\u00e1 de la utilidad del objeto. Muchas veces el objeto funciona como un pretexto y es en realidad un punto de conexi\u00f3n con el proceso con el que fue elaborado y con la persona que la cre\u00f3. Lo m\u00e1s especial para m\u00ed es enfatizar la naturaleza del material; las particularidades o irregularidades son la mejor parte: reconocer el paso del tiempo, la degradaci\u00f3n, la imperfecci\u00f3n y los defectos como s\u00edmbolo de belleza.<\/p>\n\n\n\n

\"Anthracite<\/figure>\n\n\n\n

\u00bfC\u00f3mo nace el dise\u00f1o de cada pieza de Anthracite? <\/em><\/h3>\n\n\n\n

Siempre es diferente. A veces me gusta trazar formas, planear c\u00f3mo generarla y despu\u00e9s desarrollarla. En ocasiones lo decido sobre la marcha; creo que pensamos mientras hacemos y hacemos mientras pensamos. Mi inspiraci\u00f3n viene de muchas partes: los rituales cotidianos, la cultura japonesa, emociones, personas, memorias, objetos, Isamu Noguchi, m\u00fasica<\/a> o arquitectura. <\/p>\n\n\n\n

\u00bfCu\u00e1nto tardas en hacer una pieza y en qu\u00e9 consiste el proceso manual de creaci\u00f3n? <\/em><\/h3>\n\n\n\n

Cinco d\u00edas aproximadamente. Mi proceso empieza generando el material, de polvo a l\u00edquido, incorporando todos los componentes; dejo reposar para que todo se integre, despu\u00e9s aplico alg\u00fan m\u00e9todo como vaciado, pellizco o construcci\u00f3n por placas, dependiendo de la pieza que vaya a generar; dejo secar, pulo, quemo, esmalto y vuelvo a quemar.<\/p>\n\n\n\n

\"Anthracite<\/figure>\n\n\n\n

\u00bfQu\u00e9 consejo le dar\u00edas a los creadores j\u00f3venes que buscan experimentar con nuevas t\u00e9cnicas?<\/em><\/h3>\n\n\n\n

Para m\u00ed, lo m\u00e1s importante es tener curiosidad y ser observador. Hacer del crear un h\u00e1bito y no estancarse en la planeaci\u00f3n. Ignorar las modas y tendencias<\/a> y centrarse en encontrar un enfoque y voz propia, creo que nuestros intereses inusuales son lo m\u00e1s cool <\/em>de cada uno.<\/p>\n\n\n\n

\"Anthracite<\/figure>\n","protected":false},"excerpt":{"rendered":"

El proyecto es Anthracite y la cer\u00e1mica es el medio para crear objetos que nacen como exploraciones personales a trav\u00e9s de diferentes t\u00e9cnicas y una forma de hacer dise\u00f1o alejada de la producci\u00f3n en masa.  Gracias a unas clases de cer\u00e1mica dentro de su formaci\u00f3n universitaria, Laura Mayagoitia, una joven dise\u00f1adora industrial, comenz\u00f3 a experimentar con este material y junto a su hermana  Paula, empezaron con algunas piezas utilitarias en el estudio de su casa, probando colores, formas y acabados. […]<\/p>\n","protected":false},"author":4,"featured_media":2042,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[52],"tags":[],"class_list":["post-2041","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-diseno"],"yoast_head":"\nAnthracite | Cer\u00e1mica experimental en Aguascalientes<\/title>\n<meta name=\"description\" content=\"Descubre Anthracite, dise\u00f1o cer\u00e1mico experimental \u00fanico, lejos de la producci\u00f3n masiva. 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